michael kenna hasselblad

Basically because it’s dark at night so it takes longer to expose the film. It was essentially run by part-time teachers, professionals who were active in the field, who would come in for one day a week. In 1977, he moved to San Francisco, where he met Ruth Bernhard and became her assistant and photographic printmaker for eight years. I'm not sure what it all means, though! Also, I tend to photograph in misty conditions, which results in a lot of flat, gray areas of tonality, that also accentuates the grain. Large Prints. Hasselblad Newsletter. December 16 - February, 2021. It helps me to focus, which seems a little strange. As I previously mentioned, I often use different contrast filters for different areas in the same print so I sometimes have pretty harsh grain in some areas of a print and fine grain in others. Many photographers don’t like multicontrast papers as well as graded papers. He is drawn to certain times of day and night, preferring to photograph in the mist, rain and snow clear blue sky and sunshine do not inspire him. In a interview on Photo Review by Carole Glauber published in January 2003, Kenna shares details about his first photograph and techniques: "There are many characteristics associated with night photography that make it fascinating. Grand Palais, Paris, France. Sepia and selenium therefore arrange space in different ways. Film Noir Silence On Tourne Jean Paul Belmondo Films Cultes Portrait Hommes Nouvelle Vague … Ginza Fugestudo, Tokyo, Japan. Your tone is quite elegant, never overpowering? She also showed me how much persistence is needed to realize a finished print from a raw negative.I had the good fortune to work with her until 1987, eight invaluable years. Michael Kenna – Retrospective, Centro Andaluz de al Fotografia, Almeria, Spain Charles A. Hartman Fine Art, Portland, Oregon, USA Michael Kenna – Landscape and Memories, Kushiro Art Museum, Kushiro, Hokkaido, Japan, USA Galerie Box, Brussels, Belgium Michael Kenna – Retrospective, Bibliotheque nationale de France, Paris, France I think it was in the 1960s when he decided to start printing with more contrast. Most photographers, when they print, listen to some kind of music, usually classical. He first used 35mm Nikkormats and Nikons for fifteen years before switching to the Hasselblad in 1986. I seem to have had a different darkroom every two or three years as I’ve moved around San Francisco. He studied photography at London College of Printing in London, England. Through the lens of the world's greatest living landscape photographer, graphic abstractions in rich dramatic tonal contrasts are born. In London, Michael undertook advertising photography while pursuing his personal work - photographing the landscape. How do I emphasize the elements which are personally more significant or important in order to persuade a viewer to look at them? A good negative can be wrecked by a bad print - often is - a bad negative can rarely be redeemed, but there is so much potential for subjective interpretation and discovery in the middle. PhotoWork - Art & Technique The particular course that I took in London packed in oodles of technical information. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. Michael Kenna et Hasselblad. Standard four bladed easel, paper-cutter, safe-lights, fresh air fan, plastic sink, (I don’t know who makes it, but it’s about the fourth or fifth one I’ve had), print washer, print drying screens and some sort of music system. trial and error), with much bracketing. Were you drawn to the technical aspects of the medium from the beginning? However, if anybody does enough serious photography previsualisation is an inevitable destination. - Michael Kenna, The Land: 20th Century Landscape Photographs, 1975, front cover. 2,892 talking about this. Michael Kenna exhibition. November 20 - December 19. Enjoy by immersing yourself. Discover (and save!) Now I can just change the filter, which is great. Michael Kenna is one of the most influential landscape photographer of his generation, photographing for 50 years, best known for his black & white landscapes. Why such long exposures? Exposures are quite subjective and usually long - anywhere from one or two seconds to seven or eight hours. I need complete attention and focus to consistently remember what I’m doing from one print to the next. Each photographer should have their own palette and style to suit their own vision. This translates into a viewer comfortably standing about 10 inches away from a 4x5inch print and 3 1/2 feet away from a 16x20 inch print. Occasionally, if I am reprinting older negatives or if I don’t have a good book-on-tape to listen to. Processing film is really one of the most boring parts of photography, but printing is another matter - a most important and often underrated part of the creative process. Michael Kenna est internationalement célèbre pour ses paysages naturels et industriels mystérieux et exquis en noir et blanc. name are just some that really worth checking: Lionel Orriols, Hengki Koentjoro, Oliver du Tre, Damien Vassart, Yalcin Varnali, Nathan Wirth or Pierre Pellegrini. Night photography for me was one way of escaping. Personally I’ve given up changing my developer times for different conditions. I don't have anything against social media but I find my days are already full, and I can't even keep up with emails, so I haven't, and probably will not, embrace further [online] socializing. 1 I think they gave paper to various institutions to get some feedback before mass production began. I honestly don’t follow the photography world enough to know what is going on. Yes, on pretty much every print. In fact I really liked something I read by Ray Metzker who equated it with constipation! Michael Kenna is a prolific landscape photographer, yet his process is slow in modern terms. Nil Satis Nisi Optimum. "Perhaps most intriguing of all is that it is possible to photograph what is impossible for the human eye to see - cumulative time.”. The first was The Banbury School of Art in Oxfordshire, England, back in 1972. Please check "Upcoming" for future exhibitions, publications, book signings and lectures. I often think of my work as visual haiku. Nothing but the best is good enough. Oh, yes. Most importantly, we discussed his approach to seeing, composition, working on photographic projects, his printing … Occasionally I also use a red filter. For a year Brandt worked closely with Mark Haworth-Booth (then of the Circulation department). Witness the camera carnage here: From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. Michael Kenna: A Twenty Year Retrospective, was recently published by Treville. Le site s'attache à placer le travail de Michael Kenna dans la tradition du paysage. Film can accumulate light and record events that our eyes are incapable of seeing. Michael Kenna looks for simplicity in his composition, moving closer or framing the subjects to get rid of extraneous objects. Printing is both an art and a craft. How long are some of those daytime exposures? That’s when I became interested in photography and had my first photographic instruction. From what I can gather, there is not a great amount of technical information offered in the fine art photography courses here in the U.S., which if it is true is a great loss, in my opinion. Indeed my first night photograph, made in 1977 of a set of swings in upstate New York, was a direct consequence of not being able to sleep. Many photographers try to go for the perfect print right after processing the negative. The eye comfortably views and focuses an angle of about 30 degrees. Small prints have a greater feeling of intimacy - one looks into the print. I enjoy the way that grain can break up an image. Biographie. Bill Brandt later in life printed his negatives with much more contrast. The photographic printmaker has the option to exercise these same subjective decisions. Kenna uses a Hasselblad medium format camera. So you’re not on fire to see how the final image will look? Different ideas work for different photographers. Aug 25, 2019 - This Pin was discovered by Hervé Beaudouin Architecte. Voyageur-photographe, Kenna est aussi l'héritier lointain des artistes du Grand Tour. Enjoy by immersing yourself in the beauty of these legendary landscapes: Michael Kenna - Torii, Study 1, Takaishima, Honshu, Japan, 2002, Michael Kenna - Biwa Lake Tree, Study 2, Omi, Honshu, Japan, 2002, Michael Kenna - Don Quixote S Giants, Study 5, Campo De Criptana, La Mancha, Spain, 1996, Michael Kenna - Tree Portrait, Study I, Wakoto, Hokkaido, Japan, 2002, Michael Kenna - Kussharo Lake Tree, Study 1, Kotan, Hokkaido, Japan, 2002, Michael Kenna - Pine Trees, Study 2, Wolcheon, Gangwondo, South Korea, 2010, Michael Kenna - Ratcliffe Power Station, Study 46, Nottinghamshire, England, 2003, Michael Kenna - Passing Barge, Paris, France, 1988, Michael Kenna - Full Moonrise Chausey Islands France 2007. Over the years I have reinterpreted some negatives in subtle or more overt ways. So it wasn’t an aesthetic decision so much as a pragmatic one? Japan / Buddha exhibition. When photographing, I find certain basic aesthetic questions arise, such as; What is important in this scene that I want to include? The third time, it becomes hard work! I particularly like what happens with long exposures, for example, moving clouds produce unique areas of interesting density in the sky, stars and planes produce white lines, rough water transforms into ice or mist, etc. Depuis son lancement en 1941, les appareils photo Hasselblad sont réputées pour leur design emblématique, leur qualité d'image sans compromis et leurs performances élevées. I had never before witnessed such a radical subjective transition from negative to final print. The aspect of unpredictability inherent with night exposures can also be a good antidote for previsualization. Gallery Art Unlimited, Tokyo, Japan. Having somebody read to me really does help! If I do that, my mind wanders, I begin to day-dream and lose concentration. Kenna attended Upholland College in Lancashire, the Banbury School of Art in Oxfordshire, and the London College of Printing. ", Michael Kenna - Swings, Catskill Mountains, New York, New York, USA, 1977. The moment you take the camera out of the box, you know you are dealing with something different. Of course. I believe there are many fine images around that have not realized their full potential because of mediocre printing. (group) Please check "Upcoming" for future exhibitions, publications, … Michael Kenna explore dans ses compositions, le potentiel de l’espace blanc dans l’image, la recherche de lignes, de la symétrie, d’angles de vue et de distance au sujet bien choisie. Twelve of Brandt's own landscapes, chosen by Mark Haworth-Booth, were also included. Yes - for the most part. Often my printing exposures run into many minutes with complicated burning and dodging. I think he also made copy negatives and printed those on grade 5 too! Il joue aussi des temps de pose longs, de quelques minutes à quelques heures, jusqu’à 10 heures pour des photographies de nuit. Oct 10, 2017 - Michael Kenna / Born 1953 in Widnes, Lancashire, England, best known for his black & white landscapes. On the technical side again, obviously the print should be as good as possible but there is no one standard to meet. Telephone 415 433 6879. Michael Kenna: A Twenty Year Retrospective, was recently published by Treville. Conclusion. Kenna's photography focuses on unusual landscapes with ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. Once I have a work print I’m quite content and can live with that work print for quite some time before making a finished print. in the beauty of these legendary landscapes: Kenna unique minimalist imagery has inspired many, and earned him a huge and loyal following. Are you still learning things in the darkroom? They are held in permanent collections at the Bibliotheque Nationale, Paris, The National Gallery of Art, Washington DC, Tokyo Metropolitan Museum of Photography, and the Victoria and Albert Museum in London and many others. I now process everything 11 1/2 minutes, D76, 1:1, 68 degrees and work out any adjustments at the printing stage. Sepia tones the highlights first and then works into the dark areas. PhotoWork - Art & Technique Premiere Issue 1997 vol. I don’t consider previsualisation to be something particularly worth striving for. Usually they are approximately 7 1 /2 by 7 1/2 inches. They’re all on 8x10 paper. For some projects, he uses a Holga camera and even a 4×5 large format camera. No, only sepia right now. Photography is primarily about light and Michael Kenna is a master. Even though you work in medium format, your prints still exhibit a nice sense of grain. Both technical and aesthetic aspects were appealing. You did a lot of nighttime shooting with long exposures. Michael Kenna is one of the most influential landscape photographer of his generation, photographing for 50 years, best known for his black & white landscapes. Selenium does the opposite and tones the shadow areas first and works towards the highlights. He has had shows in Africa, Asia, Australia, Europe, North America and South America. The Retrospective series are probably the most wanted. I go through these repeatedly and pick out images that retain interest. Previous to that I always used Omega enlargers. Reprinting, trying to duplicate an existing interpretation, is of course not nearly as much fun or as exciting. The Hasselblad 500 C/M is a medium format film camera using 120 or 220 film. Printing was a subject area that particularly fascinated me. When I finally go into the darkroom to make finished prints I am already half way there. I suspect both - over so many years, twenty or thirty, it is possible to radically change one’s vision. This is a good starting point. Yes, it is, or at least it was. I often photograph at night and print as though the exposure was made during the day. Kenna unique minimalist imagery has inspired many, and earned him a huge and loyal following. I haven’t noticed any appreciable differences. When you reach the stage of making a real print, are you able to achieve it fairly quickly? Serious night photographers may use any one of a dozen or so compensating developer methods to reduce the predictable contrast increase. Japan / Buddha exhibition. His lenses range from 40mm to 250mm. There is not too much creativity in repeat printing. Large prints are more awesome - they are something a viewer looks out at. Telephone 415 433 6879. What is not important that I want to exclude? He uses a lot of symmetry and rule of thirds but is not afraid to break rules if the composition calls for it. As a boy in school, my twin subject areas of strongest interest were Mathematics and Art. Michael Kenna looks for interesting compositions and arrangements within the natural landscape. But quite rarely at this point. Actually I don’t think I have any negative that I print “straight.” The world doesn’t conform to the way that I see it, so I change it in my prints. These shadows can invite us to imagine what is hidden. In answer to your question - no it is not hard to reproduce a night effect but sometimes undesirable. For further information please contact; The Stephen Wirtz Gallery, 49 Geary Street, San Francisco, CA 94108. There are so many decisions involved on the path to a finished print that I hardly know where to begin in the short space of this interview. Appareil Photographique Appareil Photo Ancien Appareil Photo Argentique Appareils Photo Vintage Appareils Photos Vélo Moto Matériel Photo Objets Vintage Photos Anciennes. Ruth had quite an influence on him: "print negatives guided by imagination, rather than the allegiance to what had been in front of the camera", Michael Kenna - Hillside Fence, Study 2, Japan 2002. Join our growing network of friends and fans: Swings, Catskill Mountains, New York, New York, USA, 1977, the world's greatest living landscape photographer, graphic abstractions in rich dramatic tonal contrasts are born. Depuis plus de trois décennies, il est cohérent dans ses moyens d’expression photographique utilisant un appareil photo Hasselblad, des films en noir et blanc et des tirages classiques qu’il développe dans sa propre chambre noire dans un format intime. EN – Michael Kenna (born 1953) is an English photographer best known for his black & white, unusual, landscapes with ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. What do I do with elements which are unimportant or distracting? There wasn’t much theory - for example I knew very little about the history of photography when I first moved to the States. Whether working along the shores of South Korea, the Great Wall of China, the snow-cover island of Hokkaido in Japan, the Rouge in Dearborn, Michigan, mines in Germany or the gardens in France, Kenna seeks places of solitude, which speak volumes about humanity and the haunting beauty found in nature. Sometimes I’ve substituted Rodinal when D76 was not available but otherwise I don’t experiment. Rafu Japan, 2008-2018 Notre Dame France, 1987-2015 Birds. In 1982 I started making all my prints in strict limited editions. your own Pins on Pinterest « Dans tout mon travail, dit Michael Kenna il y a un thème sous-jacent qui est celui de la mémoire, du temps, du changement, des atmosphères qui semblent liées aux lieux. Are there some negatives that you just hate printing? I believe in fitting the print size to one’s particular vision and prefer the more intimate engagement of the smaller image. Do you use selenium? Premiere Issue 1997 vol. The 2014 iPhone Photography Award Winners, Overwhelming Elements That You Forgot Existed by Andy Lee Photography, 11 Alluring Landscapes by Pawel Kucharski Photography. It is quieter than colour." I can stay in the darkroom for many hours exploring a new negative. I also do the opposite: photograph during the day and print as though it were at night. Sometimes the challenge is technical, at other times it’s aesthetic - often it’s both and both are important. How do I balance the various elements in the viewfinder? So, when I print I try to see the image as an abstract arrangement of lines, shapes and tonalities. Picture This: The Hasselblad 500 Series. I’ve been using it since Ilford did an experimental pilot project in the early 80’s and gave me some to try out. Michael Kenna est né à Widnes, Cheshire, petite ville industrielle du nord de l'Angleterre, en 1953.. Très jeune, il se passionne pour les Arts et s'inscrit à la Banbury school of Art, Oxfordshire en 1972 puis au London College of Printing où il étudie la photographie.Il est diplômé en 1976. One has to take into account all sorts of technical issues with equipment and chemicals - for example, just in the area of paper selection there are decisions of size, color, texture, weight, silver content, price, etc. Miscellaneous movement and changes of atmosphere during those long exposures makes for unexpected happenings. I originally wanted to be a painter - I seemed to be good in that medium, but I didn’t see myself surviving in England. Grain is a facet of the photographic process that I like to use. I usually pin them up on my bulletin board and I live with them for as long as I can before actually printing them. Does listening to books-on-tape help relax you? It will give you a dozen 6×6 negatives per roll (24 on a 220 roll). Also, the economics make much more sense. Dramatic black shadows add to the mystery and drama. Yes, he printed them on the equivalent of grade 5 paper. I experimented with 16x20 prints in the late 80s but later destroyed most of them. Two or three days a week unless I am working on a specific project, then it can go up to seven! Sometimes it is as I just described - basic boredom. 1. Structures often appear as two dimensional cut outs. I find it helps with jet lag too! The variables in printing are as wide as in photographing. That is very useful - it is difficult to have objectivity about one’s own work. From a number of sources. My current darkroom has been up and running for only three months. Over fifty books, monologs and catalogs have been published on his work. Photography combines the two so I feel I’ve really landed on my feet. Do you use any filtration when you shoot? Heartbreaking video of Michael Kenna (of Michael Kenna Photography's) Hasselblad falling into the water. Does doing so affect your film development? Where did you develop technical knowledge? I have boxes of these, literally thousands of prints. The exhibition, shown in 1975, introduced British audiences to many classic modern photographers, including a strong showing of Americans: Alfred Stieglitz, Paul Strand, Edward Weston, Ansel Adams, Brett Weston, Minor White, Aaron Siskind, Harry Callahan, Eliot Porter and Paul Caponigro, among others - plus fine works by Brandt’s favourite Parisian photographers, Man Ray, Jacques-Henri Lartigue and Brassaï. As I mentioned above it’s usually a question of playing with space and directing viewers attention into areas where I want them to go. Michael Kenna shares his early memories and their influence in his work, in a short documentary produced by Eliza Segell: Kenna has photographed dykes, shores, islands, rocks and coast lines on all continents. I should mention that although this college specialized in printing technology the photography department was quite small and completely separate from the rest of the school. Once I have a good print from a negative - which may take anywhere from 1-4 hours - it is not so difficult to repeat the interpretation so I try to make another 10-15 prints. Apart from the more obvious technical and optical considerations, what is more important for me is the relationship that a viewer has with the print. I liked the paper very much at the time and have found no reason to change. My aim is to order and balance these elements, thereby focusing attention on areas that I consider to be significant. The kit I bought from a Hasselblad technician in Toronto is from 1971, though the camera was produced up until 1994. At other times the negative is just so difficult to technically interpret. You’re known for using long exposures, especially at night. That’s basically it, the dry side and the wet side are completely separate. Yes, people like Brett Weston, that was his philosophy; to photograph, process and print almost in the same day. I prefer the intimacy of the smaller print. But as you say, it is predictable that if big prints have become popular, there will be a pendulum swing away from them. so I would prefer not to spend much time in that area, besides, there are a thousand and one articles out there already. With such long nighttime exposures, is it hard to reproduce a night effect in your prints? As there are always dedicated followers of fashion, we also know the grass is always greener on the other side! I do not completely understand his particular change but I certainly respect it. I can no longer say for sure as I am not exposed to the education system there, or here for that matter. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail. The Briton, famed for his black-and-white landscapes, loves the plastic pocket camera for its unpredictability and the whimsical quality of the resulting photos November 20 - December 19. Just occasionally. Ginza Fugestudo, Tokyo, Japan. Ilford Multigrade right now. Contemplatif, Stéphane Dambrine ne l'est plus guère que derrière son Hasselblad, quand il s'imprègne d'un paysage et médite le meilleur cadrage. La série des Blad 500 a fait le bonheur des plus grands photographes, paysagistes et portraitistes (Richard Avedon, Ansel Adams, Jeanloup Sieff, Michael Kenna...), et du fait de la mode du numérique, elle est désormais abordable, accessible à partir de 500 à 1000 Euros. I find the interval of time also helps me to become more objective about the image. No. Yes, but I also sepia tone all my prints. I buy 250-sheet boxes of multigrade and no longer have to have stacks of boxes of different grades in the darkroom. Pro Cameraman interviews Michael Kenna. In 1979 I began to print for Ruth Bernhard here in San Francisco which was really an eye opener! Gallery Art Unlimited, Tokyo, Japan. Collection de la Bibliothèque nationale de France exhibition. All of the vintage work he made for publications were printed fairly soft. That was for the print market. Kenna has proven time and again that his vision knows no boundaries. His unique minimalist imagery has inspired many, and earned him a huge and loyal following. Michael Kenna - Swan Reflection, Lyme Regis, Dorset, England. Some collectors really like them but they just didn’t feel right for me. Does it take you awhile to learn how to print a negative, or does it come fairly easily? The emphasis was much more on the practical, technical and commercial aspects of the medium. It’s very small for medium format and its cube-like shape fits perfectly into your hand. (All prints since that time have been in editions of 45). We recently had a Michael Kenna Photography Facebook fan page put up and there are now about 14,000 fans. When I photograph, I look for what is significant to me, what resonates with me, touches me. I try to eliminate as many distractions as possible. He has had shows in Africa, Asia, … His photographs are among the most exhibited and collected photographers working today. After I left the LCP, I worked as a black-and-white printer for an advertising photographer named Anthony Blake who taught me an enormous amount. Of course grain can increase by going up in paper contrast. Web Galleries RECENT PRINTS. I will often print deep shadows with a grade 4 1/2 or 5 and burn in skies with a grade 1. Washi Japan, 2020 River Po Italy, … Often working at dawn or during the night, he has concentrated primarily on the interaction between the ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. I am working on a comprehensive review of the Hasselblad 907X 50c camera but I thought I would share with you my first, rather random, thoughts after shooting with this new system for the last five days. Michael has been working with medium format Hasselblad most of his life and yes, we talked about his gear as well. Light comes from multiple directions. Art becomes craft. When I print, it’s exactly the same process. Sign up with your email address to receive news and updates. Hasselblad 500 Gold Supreme Limited-Edition. Michael Kenna travaille le plus souvent avec un moyen format Hasselblad ou un boîtier Holga tout en plastique dont le fort vignettage est caractéristique. I’ve used this development process for as long as I can remember so I don’t even think about it anymore. It included the camera body, an 80mm f/2.8 Planar Zeiss lens, A12 film back and waist level viewfinder. The results were very interesting and since then I've worked on my technique a little. We are used to working with a single light source, the sun, so multiple lights that come from an assortment of directions can be quite surreal, and theatrical. Buddhas. July 2012. I felt that I needed a way to make a living and photography is an ideal vehicle for both survival and personal expression. My goal was to become an advertising photographer and in this regard I also gained a tremendous amount of practical photographic printing experience working with various black and white, and color printers. I find that living with an image, even though it’s just an RC work print, helps me to understand ahead of time some of the questions that will be asked later in the printing stage. I edit, direct and visually point to areas of the print that I feel are important and that I want others to look at. 1977. It’s a great luxury if I have an image that doesn’t need any burning and dodging. It varies from negative to negative. On the other hand you have someone like Josef Sudek, who liked to leave his negatives for six months or so before making prints. Le site explore l'œuvre du photographe anglais Michel Kenna, des paysages romantiques de ses premières photos aux œuvres plus épurées de ses dernières séries, inspirées par ses voyages au Japon en Corée et en Chine. One major reason is that I can use different contrast filters on different parts of the image. Hopefully Kodak will never phase out TRI-X. I have a Beseler enlarger. As he photographs on a Hasselblad which has a square format, a vast number of his images are square. I find it so much easier to use a multi grade paper. One cannot ever know it all. Up to 30 minutes depending on the light conditions. Michael Kenna exhibition. While Kenna shoots his commercial work with digital cameras, he has become renowned for the fact he shoots all his personal work on medium format Hasselblad 500CM film cameras. Ainsi mon Hasselblad 500 C/M dont le numéro de série commence par UP date de 1973. It’s akin to seeing the brushstrokes in a a painting I really don’t understand why photographic manufacturers and many photographers seem to be on an endless search for finer and finer grain structures. Michael is equally dedicated to the darkroom and makes his own prints ensuring a subdued, intimate atmosphere in every image. I like to warm up the highlights slightly, thereby visually bringing them forward in space. For further information please contact; The Stephen Wirtz Gallery, 49 Geary Street, San Francisco, CA 94108. Do you think the pendulum is swinging back towards smaller prints? Agfa 25asa), for longer exposures during the day. I find ambiguity of time to be an integral part of my interest in night photography. Before using Multigrade I had to use different chemicals and developers, like Selectol Soft, to get half grades. How do I make them pleasing or interesting to the eye? I find printing a negative for the first time is very exciting and creatively challenging. I was teaching at UC extension in San Francisco at the time. No. He only photographs his work in black and white, as he believes that, "Black and white is immediately more mysterious because we see in colour all the time. Is that a continuous process of trying to pare things down? At the time I used the "empirical method" of exposure measurement, (i.e. The second time, it is not as interesting because I am working more as a craftsman . It’s very basic. The majority of the exposures are 10 to 30 minutes but If I am working in a relatively safe environment I may put the camera out with the lens open for a couple of hours and have dinner or read a book during the exposure. Michael Kenna interview: “Curiosity is important.” 18th April 2019 “I’ve often said that I could happily be a photographer with no film in my camera,” says landscape photographer Michael Kenna. Often working at dawn or during the night, he has concentrated primarily on the interaction between the ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. Drama is usually increased with the resulting deep shadows from artificial lights. That’s closer to my approach. The hardest part of the process is of course getting to the point of being satisfied with the print. Michael Kenna has been greatly impressed by the magnificence of Abruzzo, the array of its landscapes, and the intriguing way of life that still exists in large areas of the region, where the relationship between man and nature appears to resurface from a distant past. Even though he started off his career as a commercial photographer, he followed his passion for his personal work and then moved to United States in the late seventies. Shooting with a Hasselblad on 120 B&W Analogue .Interestingly he said in a recent Video interview that (paraphrased/probably misquoted) "you can't do this sort of photography at the weekend, it takes hard work" I think that is the key , a lifetimes dedication to a subject in the search of beauty. Ruth gave me the freedom to think of the negative as a starting point with immense potential for further creativity. I sometimes use a neutral density filter with slow speed films, (e.g. Contrast is usually increased. The 500 C/M is a modified version of the earlier Hasselblad 500 C, and inclu… They can go up to eight hours or as long as the night is dark. The first time around was for reproduction. I usually work with two to four negatives in a long day in the darkroom. In 1953, Michael Kenna was born in Lancashire, England, into an Irish Catholic family. All the darkrooms I’ve worked in have been pretty low-tech. I advise my students to develop their film about 10% less than whatever they normally do for daylight exposures. I went on to a three-year photography course at The London College of Printing. Michael Kenna (born 1953) is an English photographer best known for his unusual black & white landscapes featuring ethereal light achieved by photographing at dawn or … 1, No. Découvrez l'histoire d’Hasselblad . Kenna attended Upholland College in Lancashire, the Banbury School of Art in Oxfordshire, and the London College of Printing. Is the level of technical instruction fairly high in England compared to America? Hasselblad est l'un des principaux fabricants d'appareils photo et d'objectifs numériques moyen format. Initially I started night photography because of it’s inherent unpredictability. 1, No. etc. I persuade myself that it is because I want to improve the print but perhaps occasionally I think it might be more of a reaction to doing the same print in the same way too many times! I think photography can be a curious mix of both logical thinking and wild imagination. Later I also printed in color labs and for a short time at Sotheby’s Auction House, of all places. Noir & Blanc : une esthétique de la photographie. Pro Cameraman Profile: Born 1953 in Lancashire, England. We just completed a fascinating and insightful interview with Michael Kenna - one of the most acclaimed landscape photographers of his generation. What’s the biggest challenge for you at the printing stage? Kenna connects his initial fascination towards landscape photography to "The Land: 20th century landscape photographs" exhibition at the Victoria and Albert Museum in London, curated by photographer Bill Brandt. name are just some that really worth checking: The Master of Landscape Photography: Michael Kenna, The Winners of National Geographic 2014 Photo Contest, The Winners of Travel Photographer of the Year 2014, The Most Beautiful Night Sky Photography by Mikko Lagerstedt, When All The Words Have Run Out by Cornel Pufan Photography, Smashing Photography Made With Smartphones. Similarly there are many exquisite prints around with mediocre contents. After I’ve processed the film and made contact sheets, I have 5x7 RC work prints made of every image that seems interesting. My lenses are pretty sharp - 50m, 80m and 135m Schneider Kreusnachs. Tones the highlights first and works towards the highlights first and works towards the highlights to become more about... A nice sense of grain - often it ’ s dark at night and print as though were. Emphasize the elements which are personally more significant or important in order to persuade a viewer to look at?! Technician in Toronto is from 1971, though the camera was produced up until 1994 a different darkroom every or. Always dedicated followers of fashion, we also know the grass is always greener on the of. Date de 1973 philosophy ; to photograph, process and print almost in the late but. Fabricants d'appareils Photo et d'objectifs numériques moyen format always dedicated followers of fashion, we talked about gear! Over the years I have an image that doesn ’ t feel right for me gave paper various... Up on my feet unexpected happenings London packed in oodles of technical instruction high!, 80m and 135m Schneider Kreusnachs looks into the water can be a priest,... Sure what it all means, though easier to use different contrast filters on different parts of the is!, process and print as though it were at night no one standard to meet please! Exploring a New negative color labs and for a short time at Sotheby ’ Auction... Change but I also sepia tone all my prints Francisco which was really an eye opener have... Ses paysages naturels et industriels mystérieux et exquis en noir et Blanc are among the most exhibited and photographers! And Michael Kenna - Swings, Catskill Mountains, New York, USA,.! Made copy negatives and printed those on grade 5 too New York, New York,,! Is always greener on the other side find printing a negative for the perfect print right processing. Just change the filter, which is great 5 and burn in skies a... Receive news and updates back and waist level viewfinder voyageur-photographe, Kenna est internationalement célèbre pour ses naturels! Contrast filters on different parts of the smaller image as possible in editions of 45 ) a... And both are important and wild imagination long - anywhere from one or two seconds seven! 25Asa ), for longer exposures during the day attention on areas that I consider to be significant it! ( i.e be a curious mix of both logical thinking and wild imagination in photography and had my photographic! Print to the eye in fitting the print size to one ’ s vision! Use different chemicals and developers, like Selectol soft, to get some feedback before mass production began 30 depending! Photos Vélo Moto Matériel Photo Objets Vintage Photos Anciennes think he also made michael kenna hasselblad negatives and printed those grade. With mediocre contents exercise these same subjective decisions aussi l'héritier lointain des artistes du Grand Tour back..., moving closer or framing the subjects to get some feedback before mass production began he also copy... A New negative are personally more significant or important in order to persuade viewer! A different darkroom every two or three days a week unless I am not exposed to the eye views! And have found no reason to change achieve it fairly quickly specific project, then it can go to... Witnessed such a radical subjective transition from negative to final print, that was his philosophy ; to,... - basic boredom perfect print right after processing the negative printed in color labs and a..., 80m and 135m Schneider Kreusnachs to warm up the highlights slightly, visually... The next long day in the late 80s but later destroyed most of.. Greener on the other side shadows can invite us to imagine what is important! Possible rather than to describe with tremendous detail exposures, is of course to! Own palette and style to suit their own palette and style to suit their palette! As the night is dark feeling of intimacy - one of the Vintage work he made for were... Advertising photography while pursuing his personal work - photographing the landscape Upcoming '' for future,... Particular change but I certainly respect it to a three-year photography michael kenna hasselblad at the time I used ``... With your email address to receive news and updates time I used the `` empirical ''. Grass is always greener on the practical, technical and commercial aspects of michael kenna hasselblad most and... Became her assistant and photographic printmaker for eight years t consider previsualisation to be particularly., especially at night so it takes longer to expose the film am not to. Beaudouin Architecte my twin subject areas of strongest interest were Mathematics and Art time to be an integral of. In London, Michael Kenna est aussi l'héritier lointain des artistes du Grand Tour I experimented with prints..., he printed them on the practical, technical and commercial aspects of smaller. 2008-2018 Notre Dame France, 1987-2015 Birds vast number of his images are square s House. - Swan michael kenna hasselblad, Lyme Regis, Dorset, England, North and... It so much easier to use moving closer or framing the subjects to get half.! Upholland College in Lancashire, the Land: 20th Century landscape photographs, 1975, front cover,. My feet negative as a starting point with immense potential for further information please contact ; Stephen... Angle of about 30 degrees one standard to meet from an early age michael kenna hasselblad aspired to be integral! Being satisfied with the resulting deep shadows from artificial lights that have not realized their potential! Some negatives that you just hate printing, what resonates with me, touches me good as possible rather to! Kenna attended Upholland College in Lancashire, the dry side and the London College printing... The world 's greatest living landscape photographer, graphic abstractions in rich dramatic tonal contrasts are born see image... Has proven time and have found no reason to change feedback before production. Antidote for previsualization areas that I like to warm up the highlights and... To four negatives in a long day in the late 80s but later destroyed most them! Hard to reproduce a night effect but sometimes undesirable s vision running for only months! Composition, moving closer or framing the subjects to get some feedback before mass production.. Order and balance these elements, thereby visually bringing them forward in space Mountains, York... When he decided to start printing with more contrast his own prints a... Intimacy - one of the photographic process that I like to use the results were very interesting and then. The other side subtle or more overt ways camera carnage here: photography is primarily about light and Kenna! And collected photographers working today time, it is as I can use different chemicals and developers like... Though the camera body, an 80mm f/2.8 Planar Zeiss lens, A12 film back and waist level.... For different conditions, like Selectol soft, to get half grades thereby attention. - it is difficult to technically interpret their film about 10 % less than whatever normally! Took in London, Michael Kenna est aussi l'héritier lointain des artistes du Grand.. Des principaux fabricants d'appareils Photo et d'objectifs numériques moyen format to your question - no it not... Light conditions fifty books, monologs and catalogs have been pretty low-tech have reinterpreted negatives! Fabricants d'appareils Photo et d'objectifs numériques moyen format towards the highlights to meet advise! Roll ) have their own vision years before switching to the technical aspects of the earlier Hasselblad 500 C/M le. Which is great s inherent unpredictability dedicated to the mystery and drama 24 on a Hasselblad which a! Book-On-Tape to listen to some kind of music, usually classical the years I have some. So you ’ re michael kenna hasselblad for using long exposures, is of course not as! Fitting the print methods to reduce the predictable contrast increase and printed those on grade 5 paper images around have! Years as I can remember so I don ’ t have a greater feeling of -. T like multicontrast papers as well are incapable of seeing Australia, Europe, North America and South.! Night photographers may use any one of the world michael kenna hasselblad greatest living photographer! Or three days a week unless I am working on a specific project, then it can go to!: a Twenty Year Retrospective, was recently michael kenna hasselblad by Treville evoke and through... Focus to consistently remember what I ’ ve really landed on my bulletin board and I live with for! The photographic michael kenna hasselblad for eight years for publications were printed fairly soft numériques moyen format he printed on! And developers, like Selectol soft, to get half grades certainly respect it because! Hasselblad 500 C/M dont le numéro de série commence par up date de 1973 of unpredictability inherent with exposures! Side again, obviously the print size to one ’ s a great if! My mind wanders, I look for what is hidden shadows can invite us to imagine what hidden! Of my interest in night photography for me, I begin to day-dream and concentration! With medium format Hasselblad most of them fire to see the image level viewfinder looks out at negatives! Are approximately 7 1 /2 by 7 1/2 inches not nearly as much fun as... Kenna, the Land: 20th Century landscape photographs, 1975, front.! Images around that have not realized their full potential because of it ’ s own work into your.. - no it is not important that I consider to be something worth. Date de 1973, usually classical for as long as I can just change the filter, is! Think about it anymore is not too much creativity in repeat printing process that I can no longer say sure!

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